Apollinaire, Cubism and Orphism
by Adrian Hicken
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During the years before his death in 1918 Apollinaire’s reputation as poet and artistic animateur approached legendary proportions. This book is the first to present an extensive reassessment of Apollinaire’s role in the promotion of themes and iconography amongst his painter friends. Detailed analysis of the poetic subject matter of selected works of Dufy, Delaunay, de Chirico, Laurencin, Marcoussis, Metzinger, Picabia and Picasso is used to reconstruct the responses of these artists to Apollinaire’s artistic and aesthetic proclivities. Drawing attention to the poet’s immersion in the art and iconography of the French late-Renaissance and the seventeenth century, Adrian Hicken shows that the study of the permeation of Apollinairean and Orphic imagery in the work of artists with very different personalities presents a fascinating and pivotal episode in the history of Parisian modernism.
Apollinaire, Cubism and Orphism Adrian Hicken
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New York: Phaidon Press Inc., 2006 Hughes, Gordon "Envisioning Abstraction: The Simultaneity of Robert Delaunay's First Disk"Apollinaire produced numerous articles and commentaries on Delaunay's paintings, in which he promoted Orphism, as the latest trend of the Ecole de ParisThe voice of light that Apollinaire mentioned in his poems was a metaphor for inner experiencesThe group held only one exhibition, at the Galerie la Boetie, Paris, in October 1912, and it was during his lecture at this exhibition that Apollinaire first used the name OrphismArdengo Scoffici, the editor of La Voce, and Lacerba, could chat with Guillaume Apollinaire, who would spend time with the fellow poet, Blaise Cendrars and the Italian art critic and editor of Montjoie!, Riciotto CanudoIn spite of the use of the term the works categorized as Orphism were so different that they defy attempts to place them in a single category. Artists intermittently referred to as Orphists by Apollinaire, such as Lger, Picabia, Duchamp and Picasso, independently created new categories that could hardly be classified as OrphicThe artist could express this new consciousness, this new form of seeing, which was simultaneous and dynamic, ever moving and ever flowing, by throwing him/herself into the act of pure paintingOrphism’s scientific credentials hark back to the writings of Michel Eugne Chevreul whose name is engraved on the Eiffel Tower, and who was perhaps the least mystical, most skeptical French scientist everRobert Delaunay, Champs de Mars
Tate EtcThough not fully articulated in his poems, the voice of light is identified as a line that could be colored and become a paintingOrphic Cubism was also imitated by other Parisian artists, including two Paris-based American painters Morgan Russell (1886-1953) and Stanton Macdonald-Wright (1890-1973) who founded a very similar style known as Synchromism, in 1912Try again laterArt Experts All Rights ReservedAt the age of only 19, Delaunay was already exhibiting mature workOther abstract painters associated with Orphism include the French-Czech painter Frank Kupka (1871-1957), Francis Picabia (1879-1953), Jean Metzinger (1883-1956), Marcel Duchamp (1887-1968), Fernand Leger (1881-1955), and othersThe Neo-Impressionist painter Georges Seurat had employed those theories in figurative and landscape compositions during the 1880s, but the Orphist style applied them in an abstract way, exploring the effects of colour and light when they are not bound to an objectReferences and sourcesArt Term Complementary colours Complementary colours are pairs of colours that contrast with each other more than any other colour, and when placed side-by-side
EVOLUTION OF VISUAL ART For details of art movements and styles, see: History of ArtOrphism or Orphic Cubism, a term coined by the French poet Guillaume Apollinaire in 1912, was an offshoot of Cubism that focused on pure abstraction and bright colors, influenced by Fauvism, the theoretical writings of Paul Signac, Charles Henry and the dye chemist Eugne ChevreulDelaunay (which would cool markedly), following some remarks in an argument with Umberto Boccioni about the ambiguity of the term simultaneityAfter 1913They helped to inspire other movements such as Lyricaland Geometric Abstraction, and are still considered inspirations to many abstract artists todayORPHISM: ART AS MUSICArt and Simultaneity
This theory that different color combinations could produce distinct emotional reactions in human observers had a profound effect on the OrphistsThey may not have always called their work Orphic, but the aesthetics and theories were the same(Revised) London: Thames & Hudson, 1981The multi-talented Delaunay During her long and fruitful life Sonia Delaunay (18851979) became a key figure within Parisian avant-garde circles as well As they would be for Futurism, dynamism and simultaneity are key concepts for OrphismAfter the war he continued to paint, also continuing to explore geometry, color, form and line and their abstract abilities to affect human emotionThis helps us to improve the way our site works, for example, by ensuring that users are finding what they are looking for easilySpace and matter interacted in the mind, which associated the things of the worldChevreul influenced many artists because he understood scientifically what many artists expressed instinctively
Greenwich, Connecticut: New York Graphic Society Ltd, 1972Paris lies before his camera, silently brooding over its history, hiding the secrets and lies of its vanished inhabitants behind closed doorsOrphism was, instead, a temporary coincidence of tendencies, which lead to or suggested non-figurationFamous Orphist Paintings The most important 20th century paintings by Orphic Cubists include: Robert Delaunay - The Eiffel Tower (1910) Guggenheim Museum, New York - The Eiffel Tower (1911) Kunstmuseum, Basel) - La Ville de Paris (1912) Musee d'Art Moderne de la Ville de Paris - Window on the City (1912) New York, Guggenheim - Tours de Laon (1912) Museum of Modern Art, Paris - A Window (Study for Three Windows) (1912) Musee National d'Art Moderne - The Cardiff Team (1912-13, Van Abbe Museum, Eindhoven) - Homage to Bleriot (1914) Kunstsammlung, Basel - Champs de Mars: La Tour Rouge (1911-23) Art Institute of Chicago - Rhythm 1 (1940) Museum of Modern Art, Pompidou Centre, Paris Sonia Delaunay-Terk - Prose of the Trans-Siberian (1913) Pompidou Centre, Paris - Prismes Electriques (1914) Musee National d'Art Moderne, Paris Jean Metzinger - Blue Bird (1913) Paris, MusRead this Article Cubism: Art and Artists Take this Encyclopedia Britannica Arts & Culture quiz to test your knowledge about CubismFor the chronology and dates of key events in the evolution of visual arts around the world see: History of Art TimelineFor the Futurists, Divisionism was radical and revolutionaryDelaunay himself didn’t associate with any particular style of painting, and he resisted his description as an Orphist throughout his careerSymbolist artists and writers saw analogies between musical tones and visual hues 3cf411504a
Updated 10:07 - 16 Jun 2017 by Kendra Jeanson
Esoterica: Recent books concerning Western esoteric traditions: Volume IV: . Author(s): Hicken, Adrian.Shopping Cart 0; Account .Choose your KFC chicken: original recipe, extra crispy, Kentucky grilled chicken, extra crispy tenders, hot wings and popcorn nuggets.Afton Elaine Clegg Hicken was born on July 31, 1917 to Frederick W. and Mable Ann Stott Clegg. She died 28 January 2001 as result of compli-cations following heart .
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